With Washington's return to The Great White Way in the revival of Lorraine Hansberry's 1959 A Raisin in the Sun at the Barrymore, he does a tremendous favor. Once again, as he did with his limited-runs Julius Caesar and Fences, he brings large audiences--especially African-American audiences--to a theater and to theater in the larger sense.
SOURCE: Huffington Post at 09:53PM on April 3, 2014