First Nighter: 'Living on Love' Proves Insufficient, Even With Renée Fleming
What do you get when you cross Noel Coward's Private Lives with the Cole Porter-Samuel Spewack-Bella Spewack Kiss Me, Kate? You get cross. That's what you get.
What do you get when you cross Noel Coward's Private Lives with the Cole Porter-Samuel Spewack-Bella Spewack Kiss Me, Kate? You get cross. That's what you get.
"Gigi" and "An American in Paris" underline a disturbing trend.
It's surprising how many actors appearing as William Shakespeare's Hamlet don't take heed of the young Dane's advice to the players about speaking trippingly on the tongue and not sawing the…
Weinstein has certainly toiled industriously to render the movie he produced into a hit. Maybe the hordes of Peter Pan fans will turn it into one.
Towards the end of the Jenny Schwartz-Todd Almond somewhat musical Iowa--or Iow@, as the program has it--four Mormon sister-wives...
Christopher Wheeldon's choreography for An American in Paris, at the Palace, is so spectacular that you have to forgive anything else wrong with the production--and believe you me, there's p…
As Tracey Scott Wilson's Buzzer gets underway at the Public, Jackson (Grantham Coleman) introduces himself to the...
The reference to the release from Arthur Freed's incomparable MGM unit is recorded here as preamble to the unhappy news that a woefully cheap travesty of the gloriously romantic film has now…
Tyrone is a puppet with sharp teeth that lives at the end of the right arm belonging to timid Jason (Steven Boyer). The fabric...
How one of the theater season's most anticipated events came to be.
Would the 21 dancers of Flexn, directed by Reggie (Regg Roc) Gray and Peter Sellars, object to their movement styles...
Both are surpassingly good treatments. I heartily recommend them, although I definitely question whether it's commercially wise to attach the Love's Labour's Won name to a script that would …
You don't hear the term "grand opera" much anymore. That's if you hear it at all. But it's going to be revived right now in regards to the opening night performance of Giuseppe Ver…
<![CDATA[You don't hear the term "grand opera" much anymore. That's if you hear it at all. But it's going to be revived right now in regards to the opening night performance of …
In the program's statement of company purpose, there's a sentence about the fun for them and the audience of "inciting laughter and chaos." There's nothing wrong with inciting lau…
With his prolific works Richard Maxwell gives the inescapable impression that he finds the niceties of theatrical production -- things like scripting, acting, design -- compromising. The mor…
When Heidi Holland, studying for a degree in art history, is first seen, she's at a college dance with best-friend-forever Susan Johnston (Ali Ahn) where she meets admirer Peter Patrone (Bry…
When Paint Your Wagon was first done and record companies still actively scoured upcoming scores for chart-topping possibilities, the ones selected were "I Talk to the Trees" and &…
As writer and director, O'Neil is so intent on keeping Lonesome Traveler at a good-time hootenanny level (remember hootenannies?) that though he brings in some of the harder crises and their…
Louise (Carrie Coon) spends her time at the lab working on a study of female desire--with desire-depleted Mary (Florencia...
Doug Wright loves to wrangle with deceased figures of greater or lesser fame, and in Posterity, at the Atlantic's Linda Gross Theatre, he comes up with a humdinger.
During the On the Twentieth Century revival -- a musical comedy vehicle about a vehicle -- any number of Broadway veterans, including Kristin Chenoweth and Peter Gallagher, are working at th…
Nervous-as-a-tomcat-on-a-hot-tin-roof Charles (Bryce Ryness) and in-control-if-slightly-confused Hope (Pearl Sun) have just met perhaps...
Pauline Kael once wrote -- and probably said many times -- that "it takes a star to play a star." I thought of the quote while watching Cush Jumbo performing her Josephine and I, a…
London--George Bernard Shaw's Man and Superman isn't produced very often, in part because of its length. To be more precise,...