First Nighter: Ars Nova's "Underground Railroad Game" Perhaps More Gamey Than Game
For their part, Kidwell and Sheppard have shaped a 75-minute piece taking on the pernicious persistence of racism in American
For their part, Kidwell and Sheppard have shaped a 75-minute piece taking on the pernicious persistence of racism in American
For those having read directly above--or simply have taken in the Underground Railroad Game title--and think the enterprise
The matriarch of the four-member household (Edward Pierce designed the appealing set) is Martina (Priscilla Lopez), who's
Emily Mann's direction is often tentative, perhaps due to her sensing Cruz has as yet not completed his sympathetic, ultimately
An intriguing take on these revivals is that they're both English plays of the 1950s, but there's a chasm between them--a
As Christopher Akerlind's lights rise, Rosetta in a glittering white gown has her eyes closed, while Marie in peach frock
Little time passes between one reprise and the next from either or both of the gospel sisters. The joy with which they deliver
A question does come to mind about an enterprise that has evidently made top European grades and, for one stop, has played
N.B.: Because the mid-West locale is contemporary and because these are today's teenagers and because DeLappe has a great
For the rest of the hysteria-charged 75 minutes, directed with (misplaced?) conviction by Kira Simring at the Cell, you learn
Just before this thigh-slapper Alessandrini has Sondheim (Dewan Crawley) warn. a la "Children Will Listen" from Into the
Each of the four men performs on a lofty level, too. Aside from the wiry Rosales, who does join in larger numbers but mostly
That Dex is doing more than thinking about Sherrie while she moons over him is revealed when she learns Fred's $16,000-plus
Mostly, though, they're imprisoned in their families. She's stuck caring for the father with whom from time to time she can
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As all Hunter's characters gather In larger groups or in twos or threes, their foibles, worries and animosities are displayed
Pendleton, who may be the busiest person in New York City's theater life, is attuned to Hunter's Chekhovian blend of disillusionment
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