Theater Review: Michelle Clunie in Her Play 'Us,' at the Lion Theater
The romance between a Hollywood actress and a Washington politician, born in the 2008 campaign, is put to the test in "Us."
The romance between a Hollywood actress and a Washington politician, born in the 2008 campaign, is put to the test in "Us."
A musical by Sam Davis and Sean Hartley is mixed in with one-acts by Paul Rudnick, Neil LaBute and James McLure in a six-script festival at 59E59 Theaters.
Caryl Churchill's 1987 satire, "Serious Money," gets a timely revival from the Potomac Theater Project.
"Potted Potter," at the Little Shubert Theater, takes a humorous look at the seven Harry Potter books in 70 minutes.
The comedy "Miracle on South Division Street" at St. Luke's Theater finds a family holding on tight to its secrets.
In "Just Sex" at Theater for the New City, a little dabbling in online pornography leads to dabbling in an open marriage.
"Court-Martial at Fort Devens," a play by Jeffrey Sweet at the Castillo Theater, revisits racial injustice within the military during World War II.
In his one-man show, "Be Careful! The Sharks Will Eat You!," Jay Alvarez recounts his escape from Castro's Cuba, summoning up at least half a dozen characters.
Couples' therapy is usually intended for two, but in "Psycho Therapy" the relationship in question is a moving target.
"The Philanderer," a drawing-room farce by George Bernard Shaw about "advanced" relationships, is worth seeing, if only because of Shaw's admission that the cad was something of a self-portr…
The Bread and Puppet shows "Attica" and "Man of Flesh & Cardboard" use papier-mâché heads and intricate masks and costumes to offer the outrage and satire of street theater.
A. R. Gurney's depiction of upper-crust privilege in its death throes is revived by the Actors Company Theater in "Children," a family drama at the Beckett Theater.
"Any Given Monday" at 59E59 Theaters, is a comedy about infidelity and ethics.
Josh Koenigsberg's dark new comedy, "Herman Kline's Midlife Crisis," shows that angst is not age-specific.
"Cool Blues" is based on the last days of the jazz great Charlie Parker at the Fifth Avenue home of a faithful supporter and friend.
"The Great Divide," an obscure 1906 melodrama written by William Vaughn Moody, provides clichéd characters who, at their best, are intriguing reflections of a changing nation.
"Starry Messenger," a one-act play by Ira Hauptman, revolves around Galileo's trial in 1633 and the clash between science and religion.
"Reservoir" by Eric Henry Sanders, brings "Woyzeck," that classic of a soldier gone mad, up to date.