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1,121 stories by "Charles Isherwood"

Review: 'Broadway Bounty Hunter' Stars Annie Golden as Herself by Charles Isherwood

This musical, at Barrington Stage Company, finds some goofy pleasures in the story of an actress who chases down criminals.

SOURCE: The New York Times Subscription at 6:04pm on August 23, 2016

Review: Women's Hard Choices, Cutting Deep at Williamstown Festival by Charles Isherwood

Two plays, Tom Holloway's "And No More Shall We Part" and Wendy Wasserstein's "An American Daughter," close this theater festival's season.

SOURCE: The New York Times Subscription at 5:49pm on August 18, 2016

In Praise of Repertory Theater: Macbeth at the Matinee, Miller at Night by Charles Isherwood

The Oregon Shakespeare Festival and the Stratford and Shaw Festivals bring rewards to actors and audiences by showcasing a wide variety of shows.

SOURCE: The New York Times Subscription at 8:24am on August 11, 2016

Review: In 'Engagements,' Meet Me in the Gazebo for Spite and Hauteur by Charles Isherwood

The playwright Lucy Teitler brings tangy wit and barbed portraiture to this tale of multiple engagement parties.

SOURCE: The New York Times Subscription at 5:45pm on August 5, 2016

An Appraisal: James Houghton, a Daring Champion of the American Theater by Charles Isherwood

Mr. Houghton, who died Tuesday, founded a Signature Theater whose seasons have focused mostly on a single playwright " a radical, fruitful approach.

SOURCE: The New York Times Subscription at 6:42pm on August 3, 2016

Photography and Feminism: 'Alice in Black and White' at 59e59 Theaters by Charles Isherwood

This play explores Alice Austen's early passion for the medium of photography and her long relationship with her lover, Gertrude Tate.

SOURCE: The New York Times Subscription at 1:01pm on August 3, 2016

Review: Does 'Cats' Have Nine Lives on Broadway? Two, Certainly by Charles Isherwood

This revival of a former Broadway hit pays homage to the original production while infusing the feline creatures of the show with fresh star power.

SOURCE: The New York Times Subscription at 11:43pm on July 31, 2016

Review: A Vonnegut Madman Tangled in Thickets of Dark Satire by Charles Isherwood

Encores! revives the 1979 musical "Kurt Vonnegut's God Bless You, Mr. Rosewater," a convoluted road trip that sends up capitalism.

SOURCE: The New York Times Subscription at 5:31pm on July 28, 2016

Review: In 'Golem,' the Device That Walks Like a Man by Charles Isherwood

This visually dazzling, mind-pinching production from the British company 1927 combines live performance, animation and music.

SOURCE: The New York Times Subscription at 5:22pm on July 27, 2016

Review: On the High Seas, Anything Goes in 'The Pirates of Penzance' by Charles Isherwood

This operetta, guided by the trademark silliness of Gilbert & Sullivan, takes the audience along for a buoyant trip on the high seas.

SOURCE: The New York Times Subscription at 5:32pm on July 26, 2016

Review: 'The Merchant of Venice' With Extra Fog, Moral and Atmospheric by Charles Isherwood

At the Lincoln Center Festival, Jonathan Pryce stars as Shylock in a production filled with scorn, violence and anti-Semitism.

SOURCE: The New York Times Subscription at 6:18pm on July 22, 2016

Review: 'Motown: The Musical' Offers Easy Nostalgia and a Jolt of Racial Relevance by Charles Isherwood

This celebratory jukebox musical, with a book by Berry Gordy, who founded the Motown record label, has returned to Broadway for a limited run.

SOURCE: The New York Times Subscription at 6:34pm on July 21, 2016

Review: In Takarazuka's 'Chicago,' the Midwest Looks a Lot Like Japan by Charles Isherwood

The celebrated all-female Japanese theater company Takarazuka performed as part of the Lincoln Center Festival.

SOURCE: The New York Times Subscription at 6:34pm on July 21, 2016

Review: A Restaged 'Small Mouth Sounds' Still Sparkles by Charles Isherwood

The play, much of which is silent, is just as intimate and lucid as its performances at Ars Nova last year.

SOURCE: The New York Times Subscription at 5:22pm on July 19, 2016

Review: At Lincoln Center Festival, Timeless Japanese Noh Dramas by Charles Isherwood

Plays at the Rose Theater include "Okina," a prayer for peace and long life, and "Hagoromo," in which an angel loses her robe.

SOURCE: The New York Times Subscription at 5:34pm on July 14, 2016

Review: Marisa Tomei, in Extremis, in 'The Rose Tattoo' by Charles Isherwood

At the Williamstown Theater Festival, one of Tennessee Williams's less deluded heroines.

SOURCE: The New York Times Subscription at 6:01pm on July 10, 2016

Review: Friends Reunite for a Funeral, and Brutal Honesty, in 'The Healing' by Charles Isherwood

This drama by Samuel D. Hunter about friends gathering to mourn a suicide is presented by Theater Breaking Through Barriers.

SOURCE: The New York Times Subscription at 11:13pm on June 22, 2016

Review: In 'Out of the Mouths of Babes,' Mourning a Departed Lothario by Charles Isherwood

Four women who have all been involved with the same man gather in his Paris apartment in this new play from Israel Horovitz.

SOURCE: The New York Times Subscription at 11:16pm on June 19, 2016

Review: In 'Our Ladies of Perpetual Succour,' Schoolgirls on the Prowl by Charles Isherwood

A musical comedy at the Yale Repertory Theater follows members of a Catholic school chorus arriving in Edinburgh to compete in a choral contest.

SOURCE: The New York Times Subscription at 3:33pm on June 14, 2016

The Week Ahead: 'Oslo' by J.T. Rogers Looks Behind Rabin and Arafat's Handshake by Charles Isherwood

This play, at the Mitzi Newhouse Theater, examines the events that led up to the Oslo peace accords.

SOURCE: The New York Times Subscription at 1:22pm on June 10, 2016

Review: 'Indian Summer,' Toes in the Sand and Chemistry in the Air by Charles Isherwood

Two teenagers on a Rhode Island beach become attracted to each other despite an obvious obstacle in this comedic drama at Playwrights Horizon.

SOURCE: The New York Times Subscription at 11:06pm on June 8, 2016

Review: 'An Act of God' Is Back, With Sean Hayes by Charles Isherwood

God reprises his stage role as a gay white male sitcom star in "an hour and a half of comedy heaven" at the Booth Theater.

SOURCE: The New York Times Subscription at 11:01pm on June 6, 2016

Review: 'Cherchez La Femme' Struggles to Find Its Groove by Charles Isherwood

Its talented cast performed with infectious gusto. But this musical featuring the work of Kid Creole and the Coconuts is overwritten with an awkward plot.

SOURCE: The New York Times Subscription at 6:01pm on May 29, 2016

Review: 'Friend Art,' at Too-Close Range, Could Be Neither by Charles Isherwood

The newest offering from Ms. Alvarez pulls its audience into the awkward places people in their 30s inhabit as they commit to careers and loves.

SOURCE: The New York Times Subscription at 8:09pm on May 27, 2016

Review: 'Paramour' Brings Cirque du Soleil to Broadway by Charles Isherwood

The show, at the Lyric Theater, features a story, set in old Hollywood, that adds the company's usual circus acts to a traditional musical.

SOURCE: The New York Times Subscription at 11:02pm on May 25, 2016
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