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290 stories by "Catherine Love"

random review " debbie tucker green lays bare a family's unthinkable pain by Catherine Love

Leeds Playhouse This portrait of a family devastated by a random stabbing lands its blows with a heavy thudIn 2008, random was a sharp retort to the stereotypical "urban" image of soaring kn…

SOURCE: The Guardian at 4:18pm on February 7, 2019[SHARE]

Push festival review " dispatches from dystopia and punchlines of pain by Catherine Love

Home, ManchesterCuts of the Cloth explores a family torn apart by the state while storyteller Conor A offers an account of chronic illnessNurturing new performances is a balancing act: shows…

SOURCE: The Guardian at 10:18am on January 23, 2019[SHARE]

Fair, please! The bus offering education for all, from stargazing to curry-making by Catherine Love

Arts education is in crisis but theatre company Slung Low has set up a pay-what-you-can community college, offering lessons in art activism, wood-whittling and much moreOn board a double-dec…

SOURCE: The Guardian at 3:12pm on January 8, 2019[SHARE]

The Grand Old Dame of York review at York Theatre Royal " 'Berwick Kaler's anarchic swansong' by Catherine Love

This year's panto is one long bow for writer, director and long-running dame Berwick Kaler. Marking 40 years of what he calls

SOURCE: The Stage Registration at 6:42am on December 15, 2018[SHARE]

Kiss Me, Kate review " ferociously funny festive treat leaves a bitter taste by Catherine Love

Crucible, Sheffield Standout turns from strong female leads can't tame the darkness at the heart of Cole Porter's Shakespearean musicalKiss Me, Kate is a musical of many layers. The fiction …

SOURCE: The Guardian at 11:18am on December 14, 2018[SHARE]

The Forest of Forgotten Discos! review at Hope Mill Theatre, Manchester " 'energetic and inclusive' by Catherine Love

On stage and screen, Christmas tends to look a certain way: twinkling tree, glistening turkey, picture-perfect nuclear family. The new seasonal show

SOURCE: The Stage Registration at 6:30pm on December 13, 2018[SHARE]

A Christmas Carol review " riotously silly show puts Scrooge in a spin by Catherine Love

Liverpool PlayhouseSpymonkey riff with pop culture " from funk-anthem carols to Torvill and Dean " in a bizarre take on the Dickens classicAt this time of year, Scrooge is as reliable as min…

SOURCE: The Guardian at 11:18am on December 13, 2018[SHARE]

Review: The Producers at the Royal Exchange, Manchester by Catherine Love

'Shimmer and sparkle': Catherine Love reviews an unlikely Christmas show which delights as much as it unsettles. The post Review: The Producers at the Royal Exchange, Manchester appeared fir…

SOURCE: exeuntmagazine.com at 5:02pm on December 7, 2018[SHARE]

The Maids review " Jean Genet's would-be murderers set pulses racing by Catherine Love

Home, ManchesterThe playwright's prison time inspires an all-male production that is dazzling, dangerous and captivatingly queasyJean Genet understood the essence of theatre: everything is a…

SOURCE: The Guardian at 7:42am on November 23, 2018[SHARE]

'We're not talking about this': actors spotlight industry's mental health stigma by Catherine Love

It is practically a professional requirement that actors be emotional and vulnerable, but only recently has protecting their mental wellbeing become a priorityActor and playwright Milly Thom…

SOURCE: The Guardian at 3:36am on October 29, 2018[SHARE]

Europe review " David Greig's searing border story still hits home by Catherine Love

Leeds PlayhouseJames Brining's revival of this rueful study of foreignness and fear doesn't go out of its way to seem timely because it doesn't need toWhat is Europe? A continent, an idea, a…

SOURCE: The Guardian at 3:12pm on October 19, 2018[SHARE]

Review: Death of a Salesman at the Royal Exchange, Manchester by Catherine Love

'Dream space': Catherine Love reviews Sarah Frankcom's fresh, insightful take on the 20th Century American staple The post Review: Death of a Salesman at the Royal Exchange, Manchester appea…

SOURCE: exeuntmagazine.com at 7:08am on October 18, 2018[SHARE]

They Don't Pay? We Won't Pay! review " Dario Fo's food-looting farce updated by Catherine Love

York Theatre RoyalRelocated to northern England, this fast-paced panto-esque comedy is damningly relevant nowAfter the 2008 banking crisis, Dario Fo redrafted his 1974 play Can't Pay? Won't …

SOURCE: The Guardian at 7:18am on October 11, 2018[SHARE]

Mother Courage and Her Children review " Brecht classic rolls into Leeds warehouse by Catherine Love

Albion Electric Warehouse, LeedsKeeping the audience on the move, Red Ladder's 50th-anniversary production stars Pauline McLynnMother Courage and Her Children is a play of perpetual movement…

SOURCE: The Guardian at 8:42am on October 3, 2018[SHARE]

The Snow Queen review at Theatre Royal York " 'energetically performed' by Catherine Love

The Snow Queen " like so many of Hans Christian Andersen's fairytales " is a dark story. A boy is kidnapped and

SOURCE: The Stage Registration at 1:51pm on October 1, 2018[SHARE]

Charlie Ward review " Chaplin's slapstick turns into shellshock by Catherine Love

York Army Museum Lying in a row of beds, an audience of 10 is transported to a wartime hospital in Sound&Fury's arresting showThere are no images of the first world war in Sound&Fury…

SOURCE: The Guardian at 10:33am on September 28, 2018[SHARE]

Review: Radical Acts at Bradford Club by Catherine Love

Building community: Catherine Love writes on a quietly radical performance, part of a series of public interventions by Common Wealth. The post Review: Radical Acts at Bradford Club appeared…

SOURCE: exeuntmagazine.com at 8:33am on September 25, 2018[SHARE]

OthelloMacbeth review at Home, Manchester " 'an intriguing Shakespearean mash-up' by Catherine Love

Why do we keep telling the same stories? Director Jude Christian's mash-up of Othello and Macbeth, two of the oldest and most

SOURCE: The Stage Registration at 4:07am on September 22, 2018[SHARE]

Steel review " sharp-witted political drama from Chris Bush by Catherine Love

Crucible, SheffieldBush tackles sexism and racial prejudice in a cross-generational commentary on contemporary politicsIn Chris Bush's new play, steel is a multi-faceted metaphor. It's resol…

SOURCE: The Guardian at 2:32pm on September 18, 2018[SHARE]

Better Off Dead review " Ayckbourn's washed-up writer satire backfires by Catherine Love

Stephen Joseph theatre, ScarboroughAlan Ayckbourn's 82nd play, about an over-the-hill crime novelist, struggles to come up with anything new to say about creativity, fame or failureAn ageing…

SOURCE: The Guardian at 9:24am on September 12, 2018[SHARE]

'I threw my soul all over the floor': egg and sperm donors stage their stories by Catherine Love

Theatre and acrobatic shows at the Edinburgh festival use the experiences of donors to explore fertility, faith and family'Who is the family?" asks aerial artist and theatre-maker Sarah Bebe…

SOURCE: The Guardian at 4:12am on August 15, 2018[SHARE]

It's Not a Sprint / What I Talk About When I Talk About Running reviews " Edinburgh mini-marathons by Catherine Love

Pleasance Dome/Zoo Charteris, Edinburgh★★★☆☆/★★☆☆☆Grace Chapman tries to outrun her fears and Fredrik Høyer works up a sweat in…

SOURCE: The Guardian at 9:54am on August 14, 2018[SHARE]

No Kids review " compelling conversations on gay parenting by Catherine Love

Pleasance Courtyard, EdinburghIn Theatre Ad Infinitum's latest show, George Mann and Nir Paldi consider whether they can cope with the prejudice that two dads still faceTo procreate or not t…

SOURCE: The Guardian at 3:24am on August 13, 2018[SHARE]

Nigel Slater's Toast review " tender adaptation stirs the soul and senses by Catherine Love

Traverse theatre, EdinburghFood's nostalgic power is captured with mouth-watering success in this poignant staging of the popular memoirFood tells stories. The homemade mince pies that whisp…

SOURCE: The Guardian at 7:32am on August 12, 2018[SHARE]

Mistero Buffo review " chameleonic solo romp through reimagined Bible tales by Catherine Love

Underbelly Cowgate, EdinburghFrom a Deliveroo driver to a dying Christ, Julian Spooner seamlessly shapeshifts in an enthralling restaging of a Dario Fo classicSolo shows are everywhere at th…

SOURCE: The Guardian at 4:48pm on August 10, 2018[SHARE]
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