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290 stories by "Catherine Love"

The Body review " a seat-shaking, soul-searching techno-futurist experience by Catherine Love

The Pit at the Barbican, LondonNigel Barrett and Louise Mari ask what really makes us human in an age of artificial intelligence with a show that engages of your sensesTheatre rarely engages…

SOURCE: The Guardian at 9:15am on November 22, 2015[SHARE]

I Want My Hat Back review " National's Christmas show bears gifts for all by Catherine Love

Temporary theatre, LondonWils Wilson turns Jon Klassen's laconic picture book into a boisterous delight of a show that keeps no secrets about the land of make-believe from its audience The k…

SOURCE: The Guardian at 9:09am on November 17, 2015[SHARE]

Nell Gwynn review " this is what a restoration-era feminist looks like by Catherine Love

Shakespeare's Globe, LondonGugu Mbatha-Raw's joyful performance is at the centre of this rowdy comedy, which celebrates the artifice of theatre and makes some neat political jabsThe first ti…

SOURCE: The Guardian at 7:07am on September 28, 2015[SHARE]

Rory Mullarkey: 'subverting convention has really paid off' by Catherine Love

"I'm bad at being told what to do," says Rory Mullarkey with a grin. The playwright, raised in a military family, quickly

SOURCE: The Stage Registration at 5:00am on September 5, 2015[SHARE]

The challenges of using video in live theatre by Catherine Love

Paul Barritt, animator and co-artistic director of theatre company 1927, is frank about the challenges of using projection onstage. "Ask anyone who's

SOURCE: The Stage Registration at 9:00am on May 19, 2015[SHARE]

Wolf's Child review " drama at dusk in a walk through the woods by Catherine Love

Felbrigg Hall, NorwichNature is the real star in Bill Mitchell's WildWorks production, in which a murder of crows tells the tale of a young girl's journey in the wild Continue reading...

SOURCE: The Guardian at 7:43am on May 18, 2015[SHARE]

Walter Meierjohann: 'I want to create a fusion of English and German theatre' by Catherine Love

Britain and Germany have never felt closer. At least, British and German theatre cultures " often defined as polar opposites " are

SOURCE: The Stage Registration at 6:00am on May 17, 2015[SHARE]

Olivia Poulet on her solo turn in Mark Ravenhill's Product by Catherine Love

Olivia Poulet has a good line in peddling the unpalatable. The actor and writer is best known for her role as pragmatic, 

SOURCE: The Stage Registration at 7:05am on May 11, 2015[SHARE]

The Ted Bundy Project and why we can't stop watching violence by Catherine Love

Beamed by news channels and available at the click of a mouse, brutality is all around us " and playwrights are exploring audiences' disgust and titillation Greg Wohead's theatre show about …

SOURCE: The Guardian at 5:23am on May 7, 2015[SHARE]

Theatre goes wild in the country by Catherine Love

Nature plays a leading role in a number of productions this month at the Brighton festival and the Norfolk & Norwich festivalAcross the South Downs, on Brighton beach and deep in the woo…

SOURCE: The Guardian at 11:38am on May 1, 2015[SHARE]

Chris Goode's Stand: Oxford's everyday activists inspire audiences by Catherine Love

The ordinary and the extraordinary are combined in a show that tells the real-life stories of six people who stood up for what they believe inOxford's residents have a history of taking a st…

SOURCE: The Guardian at 3:15pm on April 21, 2015[SHARE]

New experiments in binaural sound technology by Catherine Love

Binaural sound technology is nothing new. The technique of binaural recording, which creates the sensation of 3D sound for those listening through

SOURCE: The Stage Registration at 10:00am on March 24, 2015[SHARE]

Chimera: the play about the twin inside by Catherine Love

A mother finds out she has two sets of DNA " and her son is really her nephew " in a new play about genetics and motherhood by Deborah Stein and Suli Holum Continue reading...

SOURCE: The Guardian at 2:30am on November 20, 2014[SHARE]

Quiet please: Clara Brennan's play Spine speaks up for libraries by Catherine Love

Part polemic and part love letter, the monologue Spine responds to library closures. Its about the freedom of learning, says its playwright, but its also a personal narrative of the austerit…

SOURCE: The Guardian at 10:25am on October 13, 2014[SHARE]

Duncan Macmillan: theatre at its best is an intervention by Catherine Love

His plays examine parenthood (Lungs), depression (Every Brilliant Thing) and climate change (2071). The motivation, says Duncan Macmillan, is to say something that isnt being said Continue r…

SOURCE: The Guardian at 3:00am on September 23, 2014[SHARE]

Greek tragedy drawn on wage packets comes to the stage by Catherine Love

For 60 years, shoemaker Ab Solomons drew pictures of his wife Celie on his wage slips. The performance Wot? No Fish!! gives voice to the ups and downs of their livesIt's hard to imagine a mo…

SOURCE: The Guardian at 11:21am on June 26, 2014[SHARE]

Vernacular Theatre and the Great Feast by Catherine Love

(This post is part of the 2014 TCG National Conference: Crossing Borders {Art | People} blog salon, curated by Caridad Svich.)  Increasingly, works of contemporary art an…

SOURCE: Theatre Communications Group at 11:39pm on June 8, 2014[SHARE]

The Roof: free-running meets gaming in new theatre show by Catherine Love

Staged in a car park, Requardt and Rosenberg's latest work explores the relationship between gamer and avatar In pictures: Explore The RoofIn an age of screens, avatars and online anonymity,…

SOURCE: The Guardian at 2:40am on June 3, 2014[SHARE]

Ben Miles: Hilary Mantel's Cromwell is the 'original working class hero' by Catherine Love

The RSC actor on the moral ambiguity of Mantel's Tudor world and the thrill of bringing her Wolf Hall books to the West End Michael Billington's review of Wolf Hall/Bring Up the Bodies Mark …

SOURCE: The Guardian at 4:00am on May 17, 2014[SHARE]

Jeremy Herrin on staging Hilary Mantel's epic Tudor double-bill by Catherine Love

Wolf Hall and Bring Up the Bodies are tranferring to the West End after a successful RSC Stratford run. Jeremy Herrin talks about the job of dramatising 1,000 pages of historical intrigue an…

SOURCE: The Guardian at 7:31am on April 25, 2014[SHARE]

Musicals we love: Matilda by Catherine Love

With Roald Dahl's streak of naughtiness meshed with Tim Minchin's excellent lyrics, Matilda is a match made in an eight-year-old's idea of heavenIn a recent episode of Outnumbered, a headmis…

SOURCE: The Guardian at 3:30am on April 7, 2014[SHARE]

Steffan Rhodri's theatrical road trip with piglets as passengers by Catherine Love

The Gavin and Stacey and Harry Potter actor on starring in a new comedy about Goya, Madrid and the meaning of life " with a pair of pigs as co-starsOn the tiny stage of Notting Hill's Gate t…

SOURCE: The Guardian at 6:15am on March 11, 2014[SHARE]

Feature: Peeping behind the scenes of PEEP by Catherine Love

As he prepares to take PEEP up to the Edinburgh Fringe again, Donnacadh O’Briain talks to Catherine Love about self-censorship, voyeurism and what audiences can expect from th…

SOURCE: A Younger Theatre at 5:30am on July 9, 2013[SHARE]

Vicky Featherstone Unveils Open Court Festival by Catherine Love

Playwrights take the reins at the Royal Court. The post Vicky Featherstone Unveils Open Court Festival appeared first on Exeunt Magazine.

SOURCE: exeuntmagazine.com at 8:29am on April 19, 2013[SHARE]

The Yard Presents Festival of Performance by Catherine Love

Performance exploring the concept of faith. The post The Yard Presents Festival of Performance appeared first on Exeunt Magazine.

SOURCE: exeuntmagazine.com at 4:24am on September 14, 2012[SHARE]
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