Edward Bond, Whose Brazen Work Freed British Drama From Royal Censors, Dies at 89
His first play, "Saved," though it drew outrage, led to the end of more than 200 years of state control over the theater.
His first play, "Saved," though it drew outrage, led to the end of more than 200 years of state control over the theater.
Acclaimed in Britain, he had the unique distinction of winning awards for best musical and best play in 2000, for his Broadway revival of "Kiss Me, Kate" and "Copenhagen."
After he made his mark in London in the 1970s, he went on to play a wide range of roles, including Edward VII, Oscar Wilde and Winston Churchill.
Ms. Jackson was a two-time Oscar winner who walked away from a successful acting career to become a member of the British Parliament, before then returning to the stage.
He was called "the greatest innovator of his generation," leaving an indelible mark with plays, musicals, opera and a relentless curiosity.
Known for his radical restagings of classic works, Mr. Miller was also a doctor who periodically left the stage to practice medicine.
Mr. Nichols drew on his life for acerbic but humor-filled works like "A Day in the Death of Joe Egg," and "Forget-Me-Not Lane."
A champion of playwrights and actors, he also directed Britain's National Theater, from 1973 to 1988.
Mr. Storey's plays often reflected Britain's class tensions but resonated with audiences around the world and with people of all backgrounds.
Mr. Friel's distinctive blend of melancholy and humor infused plays that dealt with cultural identity, loss and disillusion, and the meaning of home.
In his memoir, "Jack Be Nimble," the stage director Jack O'Brien focuses mainly on the impact that the charismatic if combustible Ellis Rabb had on him.