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72 stories by "Amelia Forsbrook"

Review: Rodin, The Coliseum by Amelia Forsbrook

There's something so antithetical about dance and sculpture. One is an exercise in the static, an artform that strives to communicate as much as possible through a singular snapshot; the oth…

SOURCE: A Younger Theatre at 7:51am on April 19, 2014

Review: L'Ormindo, Wanamaker Playhouse by Amelia Forsbrook

Is it okay to elope with another man's wife, if that other man turns out to be your father? Would you forgive a lover who only stopped his unfaithful ways after you convinced him you were…

SOURCE: A Younger Theatre at 11:26am on March 28, 2014

Review: Rodelinda, London Coliseum by Amelia Forsbrook

The motif of the tattoo defines Richard Jones' production of the three act tragedy, Rodelinda. Italicised names – symbols of romantic devotion – are scrawled across the bodies of…

SOURCE: A Younger Theatre at 5:06am on March 3, 2014

Review: Frozen, The Albany by Amelia Forsbrook

If, like the majority of the population, your access to sign language is generally limited to early morning educational programming " and a viral Mandela memorial faux pas " you …

SOURCE: A Younger Theatre at 3:47pm on February 21, 2014

Review: Rigoletto, English National Opera by Amelia Forsbrook

Both the lady and her lover attest far too much in Christopher Alden's saucy take on Rigoletto. With more fluffy sentimentality than a Clinton Cards store on Valentine’s Day, Gilda (An…

SOURCE: A Younger Theatre at 3:27pm on February 17, 2014

Review: Blind and Doing The Business, Courtyard Theatre by Amelia Forsbrook

First presented in 1990, Doug Lucie's Doing the Business plots a conversation between a theatre producer and a rich acquaintance as they debate how theatre (apparently an intrinsically lefti…

SOURCE: A Younger Theatre at 5:10pm on February 2, 2014

Review: Fortune's Fool, Old Vic Theatre by Amelia Forsbrook

Anyone who's succumbed to the some of the more 'sparkling' pleasures of the workplace Christmas party may find a bubble or two of familiarity in the central themes of Ivan Turgenev's 1857 ta…

SOURCE: A Younger Theatre at 9:28am on December 20, 2013

Review: Sue: The Second Coming, Soho Theatre by Amelia Forsbrook

To raucous cries of "I love Sue", a stereotypical Sunday school teacher enters a homely set embellished with tinsel, kitsch decorations and Christian iconography. Immediately, our unlikely h…

SOURCE: A Younger Theatre at 8:01am on December 12, 2013

Review: The Scottsboro Boys, Young Vic Theatre by Amelia Forsbrook

Sometimes it's good to see aspects of popular culture surviving throughout the generations; in other cases, it's more reassuring to see a dated artform fall from its conceited grace and out …

SOURCE: A Younger Theatre at 5:45am on November 1, 2013

Review: London Stories: 1-on-1-on-1 Festival by Amelia Forsbrook

There’s something decidedly downbeat about the vision of London that stains the flyer for Battersea Arts Centre’s 1-on-1-on-1 Festival, a form of sanitised speed dating for those…

SOURCE: A Younger Theatre at 4:30am on September 19, 2013

Camden Fringe Review: Pause by Amelia Forsbrook

Suspension breeds suspense in the first full-length work from playwright Serena Haywood, as Chris's mother and best friend try to come to terms with their loved one's drunken fall into a veg…

SOURCE: A Younger Theatre at 5:13am on August 22, 2013

Camden Fringe Review: An Evening Of The Absurd: Are We All Still Waiting For Godot? by Amelia Forsbrook

As absurdism is known for distorting the everyday in order to make its point, Closing the Gap Theatre has done well to seat the two plays that make up An Evening of the Absurd: Are We All St…

SOURCE: A Younger Theatre at 8:09am on August 10, 2013

Review: HOME by Amelia Forsbrook

How do you give unrepresented young people a voice? Well, first of all you listen to them. In this sharp and informed piece of verbatim theatre, director Nadia Fall has done just that " inte…

SOURCE: A Younger Theatre at 8:04am on August 10, 2013

Review: Our Town by Amelia Forsbrook

We've all seen those crushing casting calls: "Wanted: Actor with 3+ years' experience and Drama UK accreditation. Must be able to lie still and portray a dead body for an entire scene." It c…

SOURCE: A Younger Theatre at 5:49am on July 1, 2013

Review: How Like An Angel by Amelia Forsbrook

It's all about the high ceilings, the high ropes and the high brows in this ‘holier-than-thou’ collaboration between circus collective Circa and choral group I Fagiolini. Present…

SOURCE: A Younger Theatre at 7:34pm on June 28, 2013

Spotlight on: Playwright Joel Horwood by Amelia Forsbrook

Think that short has to be sweet? Think again. In Short and Stark, a flavoursome assortment of nimble plays opening at Southwark Playhouse at the beginning of July, playwright Joel Horwood i…

SOURCE: A Younger Theatre at 9:16am on June 25, 2013

Review: Sweet Bird of Youth by Amelia Forsbrook

Youth may take flight and beauty may fade, but society's need to cast a scrutinising eye on its celebrities never grows old. Wickedly contemporary in tone despite being written in the 1950s,…

SOURCE: A Younger Theatre at 5:21am on June 20, 2013

Review: Praxis Makes Perfect by Amelia Forsbrook

Which do you value more? Material possessions or the transformative power of literature? That was the dilemma pitched to Praxis Makes Perfect attendeis in the show's "important arrival infor…

SOURCE: A Younger Theatre at 5:37am on June 7, 2013

Review: Children of the Sun by Amelia Forsbrook

No matter how much the marketing team at the National pushes its £12 Travelex ticket deal in order to diversify audiences, watching a piece designed to ridicule the collective middle clas…

SOURCE: A Younger Theatre at 9:26am on April 19, 2013

Review: Vanessa and Virginia by Amelia Forsbrook

Those who went along to Moving Stories' Vanessa and Virginia in order to learn more about the acclaimed Bloomsbury Group artist Vanessa Bell set themselves up to be seriously disappointed…

SOURCE: A Younger Theatre at 11:55am on April 14, 2013

Review: Bianco by Amelia Forsbrook

If, with its greasy foodstores and eccentric costumes, Camden is the circus of London, then for the next few weeks the Roundhouse is, without a doubt, our capital’s big top. Throughout…

SOURCE: A Younger Theatre at 9:11am on April 12, 2013

Review: The Trial by Amelia Forsbrook

If you've ever suffered from a lapse of concentration during a production, you're certainly not alone. Many theatre-goers have confessed to missing out on the moment where Godot swings by fo…

SOURCE: A Younger Theatre at 6:18pm on April 8, 2013

Review: Fruit Fly by Amelia Forsbrook

As Leslie Jordan's latest comedy routine begins, the big question that can seemingly only be answered through one man's anecdotal reflections is, "Do gay men really become their mothers?" Wh…

SOURCE: A Younger Theatre at 1:12pm on March 13, 2013

Review: John Cage Lecture on Nothing by Amelia Forsbrook

When avant-garde extraordinaire John Cage first placed his notation-free musical composition 4′33″ in front of a New York audience in 1952, the result was anything but silent. Wh…

SOURCE: A Younger Theatre at 5:35am on February 27, 2013

Review: La Traviata by Amelia Forsbrook

Between the time Giuseppe Verdi debuted La Traviata in the mid nineteenth century and today, there have been enormous changes to opera audiences " and I'm not just talking about our oh-so-vu…

SOURCE: A Younger Theatre at 12:56pm on February 25, 2013
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