There's something so antithetical about dance and sculpture. One is an exercise in the static, an artform that strives to communicate as much as possible through a singular snapshot; the other, intrinsically less restricted in time and space, aims to deliver meaning through motion. In Rodin, Eifman Ballet Saint Petersburg tries, brutishly, to unite the […]
SOURCE: A Younger Theatre at 07:51AM on April 19, 2014