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166 stories by "Aliya Al-Hassan"

BWW Review: BLACK IS THE COLOR OF MY VOICE, Trafalgar Studios by Aliya Al-hassan

Inspired by the music and the political activism of the legendary Nina Simone, Black Is The Color Of My Voiceis the tiny gem of a show, written by singer and writer Apphia Campbell. The prod…

SOURCE: BroadwayWorld at 4:27am on February 10, 2019[SHARE]

BWW Review: AVENUE Q, New Wimbledon Theatre by Aliya Al-hassan

Avenue Qis an interesting show to describe to those who have never seen it. Naive graduate Princeton comes to New York with big dreams and little money to match. When he moves to Avenue Q he…

SOURCE: BroadwayWorld at 4:49am on February 7, 2019[SHARE]

BWW Review: COUGAR, Orange Tree Theatre by Aliya Al-hassan

Possession, power and control, with climate change thrown in. Cougaris a new play by Rose Lewenstein which is essentially a series of 80 snapshots into the lifespan of a dysfunctional relati…

SOURCE: BroadwayWorld at 3:45am on February 6, 2019[SHARE]

BWW Review: NOTRE DAME DE PARIS, London Coliseum by Aliya Al-hassan

It is difficult to overestimate how popular Notre Dame de Paris is in France, leaving audiences in raptures for twenty years. However, the critics were not kind when it was last performed in…

SOURCE: BroadwayWorld at 4:01am on January 24, 2019[SHARE]

BWW Review: MANON, London Coliseum by Aliya Al-hassan

Manonis not a ballet for the MeToo era. The story follows Manon as she falls in love with Des Grieux, a poor student. She is, essentially, pimped out by her brother to become the mistress of…

SOURCE: BroadwayWorld at 3:24am on January 18, 2019[SHARE]

BWW Review: TOTEM, Royal Albert Hall by Aliya Al-hassan

It is easy to be wowed by Cirque du Soleil the acts themselves are often utterly thrilling and defy any expectations of human strength, dexterity and flexibility. With TOTEM, returning to th…

SOURCE: BroadwayWorld at 6:24am on January 17, 2019[SHARE]

BWW Review: COMING CLEAN, Trafalgar Studios by Aliya Al-hassan

Playwright Kevin Elyot is best known for his brilliant AIDS-era play My Night With Reg, but after being revived at Islington's King's Head Theatre, his debut play Coming Cleanhas now transfe…

SOURCE: BroadwayWorld at 3:23pm on January 12, 2019[SHARE]

BWW Review: SWAN LAKE, London Coliseum by Aliya Al-hassan

After a rather pedestrian version of Tchiakovsky's iconic Swan Lake by the St Petersburg Ballet at London's Coliseum in the summer, ballet fans are eager for a more immersive and emotionally…

SOURCE: BroadwayWorld at 3:27am on January 4, 2019[SHARE]

BWW Review: THE NUTCRACKER, Royal Albert Hall by Aliya Al-hassan

London is already blessed with two outstanding productions of the Christmas ballet The Nutcracker. Birmingham Royal Ballet now also presents Peter Wright's beautiful version in the challengi…

SOURCE: BroadwayWorld at 5:19am on December 29, 2018[SHARE]

BWW Review: CIRCUS 1903, Southbank Centre by Aliya Al-hassan

With extraordinary feats of bravery, strength and skill, the appeal of old-fashioned circus is not hard to understand. Performing a show that is the essence of traditional circus entertainme…

SOURCE: BroadwayWorld at 6:23am on December 21, 2018[SHARE]

BWW Review: HANSEL & GRETEL, Rose Theatre by Aliya Al-hassan

The perfect family show at Christmas is a big ask for theatres. The pressure is on to cater for the biggest range of audiences they see all year. They expect fun, jokes, a good story, great …

SOURCE: BroadwayWorld at 4:24am on December 15, 2018[SHARE]

2018 Year in Review: Aliya Al-Hassan's Best of Theatre by Aliya Al-hassan

What a bizarre year 2018 has been. In the months that saw too much Trump, devastating Californian wildfires, an escalation in the refugee crisis, not to mention the dreaded 'B' word, it make…

SOURCE: BroadwayWorld at 3:01am on December 15, 2018[SHARE]

BWW Review: NUTCRACKER, London Coliseum by Aliya Al-hassan

London is lucky enough to have three different productions of Nutcrackerplaying this year. With fabulous reviews for The Royal Ballet's immaculate version already in and anticipation for the…

SOURCE: BroadwayWorld at 4:39am on December 14, 2018[SHARE]

BWW Review: A CHRISTMAS CAROL, Arts Theatre by Aliya Al-hassan

Was there ever an actor more suited to perform a one-man show than Simon Callow Add in the evocative and mellifluous writings of Dickens at Christmas time and you have the recipe for a show …

SOURCE: BroadwayWorld at 3:42am on December 14, 2018[SHARE]

BWW Review: PETER PAN, Richmond Theatre by Aliya Al-hassan

Alexander Pope's poignant quote 'To wake the soul with the gentle strokes of art' hangs above the stage of the beautiful Richmond Theatre to remind us of the potent power of art and theatre.…

SOURCE: BroadwayWorld at 3:25am on December 14, 2018[SHARE]

BWW Review: THE DOUBLE DEALER, Orange Tree Theatre by Aliya Al-hassan

William Congreve's rarely performed Restoration comedy, The Double Dealer, is an interesting choice to be revived at Richmond's Orange Tree theatre and, for some, will be a welcome relief to…

SOURCE: BroadwayWorld at 4:02am on December 12, 2018[SHARE]

BWW Review: A CHRISTMAS CAROL, Old Vic by Aliya Al-hassan

If you are struggling to get into the festive spirit this year, a visit to London's Old Vic theatre is highly recommended. After the roaring success of Jack Thorne's charming adaptation of C…

SOURCE: BroadwayWorld at 3:22am on December 6, 2018[SHARE]

BWW Review: LA BOHEME, London Coliseum by Aliya Al-hassan

The best versions of La boheme are simple enough to let the genius of Puccini's opera shine, rather than distracting the audience with quirky updates and subliminal messages. The ENO's decis…

SOURCE: BroadwayWorld at 3:07pm on December 1, 2018[SHARE]

BWW Review: DIRTY DANCING, New Wimbledon Theatre by Aliya Al-hassan

As one of the most famous coming-of-age films, the story of Dirty Dancing is loved by many. The 2004 stage shownowcomes to the New Wimbledon Theatrein an energetic but occasionally awkward r…

SOURCE: BroadwayWorld at 3:08am on November 20, 2018[SHARE]

BWW Review: DON CARLOS, Rose Theatre by Aliya Al-hassan

Back in 2005, Friedrich Schiller's 18th century offering Don Carlos won rapturous reviews when it transferred to the Gieldgud from Sheffield's Crucible. Now revived by the newly formed Ara t…

SOURCE: BroadwayWorld at 2:51am on November 8, 2018[SHARE]

BWW Review: STILL NO IDEA, Jerwood Theatre Upstairs by Aliya Al-hassan

In 2010, Lisa Hammond and Rachael Spence created a show called No Ideabased entirely on what the general public said they should make a piece of theatre about. The result was an uncomfortabl…

SOURCE: BroadwayWorld at 3:27am on November 4, 2018[SHARE]

BWW Review: AMADEUS LIVE, Royal Albert Hall by Aliya Al-hassan

If there was ever a film to screen with a live orchestra and choir, it would be Peter Shaffer's multi-award-winning Amadeus. London's Royal Albert Hall continues its successful series of blo…

SOURCE: BroadwayWorld at 5:54am on November 3, 2018[SHARE]

BWW Review: HIGH SOCIETY, Richmond Theatre by Aliya Al-hassan

High Societyhas a chequered past as a stage show even Richard Eyre failed at adapting Cole Porter's 1956 film. However, the last outing in 2015 at The Old Vic sparkled under Maria Friedman's…

SOURCE: BroadwayWorld at 4:12am on November 1, 2018[SHARE]

BWW Review: DEALING WITH CLAIR, Orange Tree Theatre by Aliya Al-hassan

Dealing With Clair was first staged thirty years ago at the Orange Tree Theatre. It now returns in a disturbingly well observed revival, still striking a very darkly comic and contemporary s…

SOURCE: BroadwayWorld at 4:06am on October 31, 2018[SHARE]

BWW Review: THE HABIT OF ART, Richmond Theatre by Aliya Al-hassan

The Habit of Artis a wonderfully funny and deeply moving revival of Alan Bennett's fantastic 2009 follow up to The History Boys. The play focuses on a fictional meeting between WH Auden and …

SOURCE: BroadwayWorld at 4:12am on October 16, 2018[SHARE]
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