Thursday, March 4, 2021
Like most performing arts organizations, the pandemic has posed unprecedented challenges for...
The post Review: The Georgia Ballet’s “Love Classics” showcases reinvigorated troupe app…
SOURCE: ArtsATL at 05:09PMTuesday, May 21, 2019
When people face life’s most difficult challenges, there’s always a ridiculous moment...
The post Fly On A Wall’s <em>Slightly Off Stage</em> quenches thirst for the absurd…
SOURCE: ArtsATL at 02:54PMFriday, April 12, 2019
All too often, local dance company directors face the day-to-day challenges that...
The post EVOLVE | atlanta to strengthen bonds, create shared dance community vision appeared first on ARTS…
SOURCE: ArtsATL at 08:06AMWednesday, April 10, 2019
Last September, Atlanta Ballet’s Return to Fall production placed works from different...
The post Atlanta Ballet to debut at Sandy Springs Performing Arts Center appeared first on ARTS AT…
SOURCE: ArtsATL at 07:33PMThursday, March 21, 2019
Beginning next September, Atlanta Ballet’s 90th-anniversary season promises impressive variety, with nods to the company’s rich history and a turn toward diversity and inclusion. The com…
SOURCE: ArtsATL at 04:48PMThursday, February 7, 2019
Some experiences in the theater resonate so deeply that it’s best to leave writing about them to the poets. Such was the experience Niv Sheinfeld and Oren Laor wrought last Saturday during…
SOURCE: ArtsATL at 06:54PMWednesday, April 4, 2018
In Danielle Agami’s Next Door, Christian Clark and Rachel Van Buskirk, performers with Terminus Modern Ballet Theatre, appeared dressed in black on a stark stage setting. They moved across…
SOURCE: artsatl.com at 12:59PMMonday, August 1, 2016
It’s been a year since The Lucky Penny opened the Work Room. The dance studio was born of choreographer Blake Beckham’s determination to fill a practical need she had for nearly 15 y…
SOURCE: ArtsATL at 01:01PMTuesday, June 7, 2016
In his new work, Moat, choreographer George Staib delves into memories from a conflicted time in his childhood — when his Armenian-American family relocated from Iran to the United Sta…
SOURCE: ArtsATL at 01:00PMTuesday, May 31, 2016
The influence of the great 20th-century dance masters pops up in surprising places. Take, for example, a Coca-Cola commercial where a man dances in silhouette against a red-lit vending machi…
SOURCE: ArtsATL at 01:22PMMonday, February 15, 2016
It’s been nearly five years since Robert Battle succeeded Judith Jamison as artistic director of the Alvin Ailey American Dance Theater. As with many changes
SOURCE: ArtsATL at 01:00PMTuesday, November 17, 2015
(Editor’s note: As East Point’s Ballethnic Dance Company celebrates its 25th year and prepares for its annual production of the Urban Nutcracker November 19-22, Cynthia
SOURCE: ArtsATL at 02:21PMThursday, August 6, 2015
The instant an airborne dancer triumphs over gravity, or arcs her body into a fall, can reveal a lifetime of work and artistry. It is
SOURCE: ArtsATL at 03:01PMWednesday, June 17, 2015
From the sacred ring shout to tap, reinvented through funk and hip-hop; from the fiery Cuban Rumba to concert modern dance; from the South African
SOURCE: ArtsATL at 06:41PMTuesday, May 19, 2015
Last weekend, Atlanta Ballet capped its 2014-15 season with MAYhem, a program that reflected the company’s versatility as part of a varied vision: Angel’s Share,
SOURCE: ArtsATL at 12:00PMFriday, April 3, 2015
It will be five years in August since Atlanta Ballet unveiled plans to create a more contemporary artistic profile. The following spring, the company announced
SOURCE: ArtsATL at 01:37PMMonday, March 23, 2015
“God bless all con men and hustlers and pitch-men who hawk their hearts on the street….” In Tennessee Williams’ Camino Real, the gypsy girl Esmeralda
SOURCE: ArtsATL at 04:16PMThursday, February 26, 2015
In classical ballet, the term renversé has been defined as “the bending of the body in a turn, in which the normal balance is upset,
SOURCE: ArtsATL at 03:50PMTuesday, January 27, 2015
Sometimes a memory seems to rise up out of nowhere. It seizes the consciousness and jerks the psyche around, wrapping it in images, sensations and
SOURCE: ArtsATL at 02:11PMWednesday, December 17, 2014
Illusion and dream are at the essence of ballet, and Atlanta Ballet’s Nutcracker holds plenty. In John McFall’s version, which opened last Thursday at the Fox
SOURCE: ArtsATL at 12:03PM 
