All stories by Mark Lawson on BroadwayStars

Monday, December 16, 2024

Twelfth Night review – Samuel West achieves greatness as Malvolio by Mark Lawson

Royal Shakespeare theatre, Stratford-upon-Avon As the petty tyrant cruelly duped by his household West leads a superb, tinsel-inflected take on Shakespeare’s melancholy comedy The title Tw…

SOURCE: The Guardian at 06:32AM
Wednesday, December 11, 2024

The Housetrap review – Agatha Christie meets Lady Fanny Button in immersive mystery by Mark Lawson

West Horsley Place, SurreyStaged in Ghosts’ Button House, this interactive whodunnit has a lot of fun with detective-story tropes, quick-change characters and a clever solution The writer …

SOURCE: The Guardian at 09:48AM
Friday, December 6, 2024

The Last Days of Liz Truss? review – endgame at No 10 is tip of the iceberg by Mark Lawson

White Bear theatre, LondonThe former PM’s brief tenure is raked over to seriocomic effect in Greg Wilkinson’s play, which raises major political questions A running length of 100 minutes…

SOURCE: The Guardian at 12:42PM
Sunday, December 1, 2024

Twelfth Night review – a classy, musical and seasonal feast. Play on by Mark Lawson

Orange Tree theatre, LondonWith its philosopher-fool character seated at a piano and central to the action, this sympathetically staged 1940s-set production is something of a revelation Wint…

SOURCE: The Guardian at 01:54PM
Sunday, November 10, 2024

Make Good: The Post Office Scandal review – a musical miscarriage of justice by Mark Lawson

Omnibus theatre, LondonThe installation of the Horizon digital till resembles the villain’s entrance in a pantomime The false prosecutions and persecutions of 900 subpostmasters by the Pos…

SOURCE: The Guardian at 10:12AM
Saturday, November 2, 2024

Alan Bennett at 90: ‘What will people think? I don’t care any more’ by Mark Lawson

In his 10th decade, the writer is as prolific as ever with a war film in the works and a new sex-fuelled novella set in a home for the elderly. He talks about mourning Maggie Smith, turning …

SOURCE: The Guardian at 08:24AM
Friday, September 27, 2024

Never Let Me Go review – fresh life found in Kazuo Ishiguro’s school dystopia by Mark Lawson

Rose theatre, Kingston Nell Barlow is heartbreaking as the doomed heroine of the alt-reality boarding-school tale, expertly adapted by Suzanne Heathcote Any dramatic adaptation of a well-kno…

SOURCE: The Guardian at 07:32PM
Sunday, September 22, 2024

From Mick Jagger to Crossroads: the pioneering career of Cleo Sylvestre by Mark Lawson

The black British performer started out recording with the Rolling Stones, was on the West End stage by 19 and made breakthroughs in TV and theatre ‘Trailblazing’ TV, film and stage acto…

SOURCE: The Guardian at 06:32AM
Thursday, September 19, 2024

David Edgar: ‘If you can only think yourself into the shoes you’re wearing it makes creating fiction impossible’ by Mark Lawson

With two new plays opening this autumn, the veteran playwright talks about the risks of writing about real events and the threats to leftwing drama and politics With the world premiere of Th…

SOURCE: The Guardian at 08:32AM
Tuesday, September 3, 2024

Rebus: A Game Called Malice review – Rankin’s fine-dining detective faces corpses between courses by Mark Lawson

Cambridge Arts, then touringRebus fans will relish Ian Rankin and Simon Reade’s play in which the spiky Scottish cop must solve a crime at a posh dinner party Ian Rankin gave his spiky but…

SOURCE: The Guardian at 12:02PM
Friday, August 30, 2024

The Spy Who Came in from the Cold review – first staging of le Carré classic is a hot ticket by Mark Lawson

Minerva theatre, ChichesterThis adaptation of the cold war spy thriller elegantly compresses the narrative and boasts star-making performances In John le Carré’s 1963 name-making novel Th…

SOURCE: The Guardian at 05:32PM
Friday, August 9, 2024

The Birthday Party review – Jane Horrocks hosts in a house of horrors by Mark Lawson

Ustinov Studio, BathInviting macabre surrealism and terror by torchlight on to a brown 1950s set, Richard Jones leaves room for interpretation in Pinter’s early play Harold Pinter’s firs…

SOURCE: The Guardian at 10:12AM
Thursday, August 8, 2024

Pericles review – Alfred Enoch rules the stage in a neglected Shakespeare by Mark Lawson

Swan theatre, Stratford-upon-AvonTamara Harvey’s first production as the Royal Shakespeare Company’s co-artistic director highlights the play’s sharp political intelligence For reasons…

SOURCE: The Guardian at 11:35AM

Fiddler on the Roof review – shtetl showstoppers speak to the present by Mark Lawson

Regent’s Park Open Air theatre, London Jordan Fein’s revival, using its outdoor setting to sublime effect, stresses the musical’s comedy while resonating with the current plight of ref…

SOURCE: The Guardian at 01:00AM
Wednesday, July 3, 2024

Glitch review – dynamically delivered drama about the Post Office scandal by Mark Lawson

Minghella theatre, ReadingViewers may be well versed on the Horizon debacle, but this play offers a fresh perspective by focusing on one victim’s story A stage set of a small Post Office b…

SOURCE: The Guardian at 11:02AM
Tuesday, June 25, 2024

Kyoto review – 1997 protocol on climate crisis fuels gripping theatre at the RSC by Mark Lawson

Swan theatre, Stratford-upon-AvonStephen Kunken’s Republican ringmaster narrates this account of the negotiation of the first international treaty on tackling climate change Key sections o…

SOURCE: The Guardian at 07:32PM
Thursday, March 21, 2024

Faith Healer review – Brian Friel’s classic questions everything we believe by Mark Lawson

Lyric Hammersmith, LondonRachel O’Riordan’s powerful production explores political, medical and religious faith with a wholly convincing cast When Brian Friel’s Faith Healer opened on …

SOURCE: The Guardian at 04:42PM
Friday, March 8, 2024

Uncle Vanya review – Trevor Nunn triumphs with Chekhov’s tragicomedy by Mark Lawson

Orange Tree theatre, LondonThis chamber staging, movingly played by an immaculate ensemble, fits perfectly with the drama’s hothouse of disappointment At 84, Sir Trevor Nunn is making his …

SOURCE: The Guardian at 08:02PM
Tuesday, February 27, 2024

Cable Street review – dazzling musical portrait of a community against fascism by Mark Lawson

Southwark Playhouse, LondonFraming the battle within a 1930s romance and a 2024 walking tour, Adam Lenson’s production has big ballads, hip-hop-ish commentary and high camp Headline politi…

SOURCE: The Guardian at 09:12AM
Wednesday, February 14, 2024

A Midsummer Night’s Dream review – characters mash, worlds invert and flames burst from fingers by Mark Lawson

Royal Shakespeare theatre, Stratford-upon-AvonEleanor Rhode’s ravishing fusion of flamboyancy, surrealism and raucous fun rouses audiences in a youthful, energetic riot Directors of Shakes…

SOURCE: The Guardian at 08:54AM
Tuesday, December 19, 2023

Sound and fury, signifying something: what made Macbeth so popular in 2023? by Mark Lawson

Ralph Fiennes and David Tennant are among the stars playing Shakespeare’s Thane this year. Might the tragedy’s current popularity have something to do with the Tory government? After kil…

SOURCE: The Guardian at 10:12AM
Monday, December 4, 2023

Oliver! review – tunes, glorious tunes and a thrillingly vivid production by Mark Lawson

Leeds PlayhouseJames Brining’s exemplary staging solves every problem – the antisemitism, the coercive romance – that Oliver Bart’s joyous, beloved but difficult musical presents Wit…

SOURCE: The Guardian at 01:36AM
Sunday, October 29, 2023

The Inquiry review – drama about a Whitehall cover-up hints at deeper stories left untold by Mark Lawson

Minerva theatre, ChichesterDespite fine acting, Harry Davies’ political thriller about a contaminated water scandal fails to plumb the depths of its characters In two senses, this debut pl…

SOURCE: The Guardian at 09:07PM
Wednesday, October 25, 2023

‘His talent and enthusiasm never waned’: Blood Brothers and Evita producer Bill Kenwright by Mark Lawson

The Everton FC chairman and hands-on producer of dozens of stage hits, who has died aged 78, ceaselessly radiated the bonhomie of the actor he originally was While he was primarily a theatri…

SOURCE: The Guardian at 09:25AM
Tuesday, October 10, 2023

I’m Sorry, Prime Minister, I Can’t Quite Remember: Hacker and Sir Humphrey’s last hurrah by Mark Lawson

Jonathan Lynn’s new play finds the political double act in their 80s, in a suitable final chapter to a magnificent comic project For Britons interested in politics, 25 February 1980 was a …

SOURCE: The Guardian at 11:04AM
Thursday, September 21, 2023

The White Factory review – Holocaust drama raises troubling questions about today’s tyrants by Mark Lawson

Marylebone theatre, LondonSet in a Polish ghetto, Dmitry Glukhovsky’s superb play explores the terrible choices made by people under occupation Only the hardest heart would not feel advanc…

SOURCE: The Guardian at 07:25PM
Tuesday, September 19, 2023

Anthropology review – clever AI missing-person mystery by Mark Lawson

Hampstead theatre, LondonLauren Gunderson’s smart play finds a software engineer creating a digital version of a sister who has disappeared While screenwriters strike, partly over the thr…

SOURCE: The Guardian at 08:49AM
Friday, September 15, 2023

‘The despair is the same’: Alan Bleasdale and James Graham on bringing back Boys from the Blackstuff by Mark Lawson

It’s a dream team: the creator of the 1982 BBC series and the writer of Sherwood. The pair meet in Liverpool to discuss putting Yosser and the lads on stage in a new era of economic desper…

SOURCE: The Guardian at 07:33AM
Thursday, August 31, 2023

Macbeth review – a strenuously fresh reading with one-liners by Stewart Lee by Mark Lawson

RSC, Stratford-upon-AvonBenefitting from a Scottish cast and a rewritten Porter’s speech by Lee, Wils Wilson’s production gets at the demonic drive of people desperate for power but hope…

SOURCE: The Guardian at 08:33AM
Thursday, August 24, 2023

A Mirror review – Pirandellian wedding drama throws a bouquet of unrealities by Mark Lawson

Almeida, LondonSam Holcroft’s drama delights in the theatrical trickery of dual identities and false realities to throw a final surprise punch Extending the long tail of works influenced b…

SOURCE: The Guardian at 12:13PM
Thursday, August 3, 2023

Macbeth review – Max Bennett’s jokey king is clearly unfit to govern by Mark Lawson

Shakespeare’s Globe, LondonGender swapped roles shed new light on dark days in a production – complete with gruesome bodybags and references to fake news – that feels aptly aligned to …

SOURCE: The Guardian at 10:19AM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic
TBA: Ragtime