All stories by Alistair Smith on BroadwayStars

Wednesday, March 8, 2017

The Editor’s View: Olivier Awards must be clearer on eligibility by Alistair Smith

What’s in a name? The Olivier Awards used to be called the Society of West End Theatre Awards. It’s worth remembering that

SOURCE: The Stage Registration at 10:00AM
Wednesday, March 1, 2017

The Editor’s View: Government must champion arts in education by Alistair Smith

London mayor Sadiq Khan has sounded a welcome note on the false economy of cutting arts subjects in education. The creative industries

SOURCE: The Stage Registration at 08:30AM

The Editor’s View: Like ATG, I’m conflicted over West End food ban by Alistair Smith

I find myself conflicted when it comes to the issue of banning food in theatres. It is irritating when someone rustles a

SOURCE: The Stage Registration at 08:00AM
Thursday, February 23, 2017

The Editor’s View: Rates hike is a time bomb for local authorities by Alistair Smith

Not too long ago, it was fairly standard practice for councils to fund – and often run – their local receiving theatres.

SOURCE: The Stage Registration at 05:00AM
Thursday, February 16, 2017

The Editor’s View: Lip service alone won’t fix class bias in the arts by Alistair Smith

Three apparently unrelated stories in this week’s paper should give pause for thought. The first is news that Labour is launching an

SOURCE: The Stage Registration at 05:00AM
Wednesday, February 8, 2017

The Editor’s View: Local cuts are a disease turning into an epidemic by Alistair Smith

One of the biggest problems with local arts cuts is that they are infectious. The news of cuts in Bath and Bristol

SOURCE: The Stage Registration at 10:54AM
Wednesday, February 1, 2017

The Editor’s View: Celebrating the scope and scale of our industry by Alistair Smith

I spent Friday afternoon in the Grand Saloon of the Theatre Royal, Drury Lane with about 450 like-minded souls, celebrating the best and brightest of

SOURCE: The Stage Registration at 06:03AM
Thursday, January 26, 2017

The Editor’s View: How The Stage Supports will nurture and champion talent by Alistair Smith

There is a quote from the late, great Laurence Olivier that we often use to help promote The Stage. It goes: “The

SOURCE: The Stage Registration at 05:00AM
Wednesday, January 18, 2017

The Editor’s View: Cuts can be a necessary evil for new blood by Alistair Smith

It comes as little surprise that Arts Council England is asking theatres to prepare for cuts, or standstill funding at best, in the

SOURCE: The Stage Registration at 06:20AM
Tuesday, January 10, 2017

The Editor’s View: The panto war is behind us by Alistair Smith

Once upon a time in a kingdom called Pantoland, there was a pantomime giant named Qdos Entertainment. Qdos was the undisputed King

SOURCE: The Stage Registration at 12:47PM
Thursday, December 22, 2016

The Editor’s View: Reasons for theatre to be cheerful in 2017 by Alistair Smith

This time last year, our front page read “Local cuts are ‘main threat to theatre in 2016’.” And so it has proved.

SOURCE: The Stage Registration at 05:00AM
Thursday, December 15, 2016

The Editor’s View: Why doesn’t theatre have its own AA Gill? by Alistair Smith

Writer and restaurant critic AA Gill’s death reminded me of a scathing piece he wrote about the state of British theatre criticism

SOURCE: The Stage Registration at 05:00AM
Thursday, December 8, 2016

The Editor’s View: It’s time to come clean on opaque pay and fees by Alistair Smith

Outside theatre, one of the sectors I find most interesting is the restaurant trade. As it’s another branch of the entertainment industry,

SOURCE: The Stage Registration at 05:00AM
Thursday, December 1, 2016

The Editor’s View: Andrew Lloyd Webber is building a legacy by Alistair Smith

Andrew Lloyd Webber and Cameron Mackintosh are the twin titans of our industry. The pair dominated commercial theatre in the final third of

SOURCE: The Stage Registration at 05:00AM
Thursday, November 24, 2016

The Editor’s View: Touting is a leech on theatre – but it’s hard to stop by Alistair Smith

Here’s the awkward truth about ticket touting: it only happens because producers are underpricing their tickets. If producers were offering tickets at

SOURCE: The Stage Registration at 05:00AM
Thursday, November 17, 2016

The Editor’s View: Subsidy isn’t the only way politicians can help the arts by Alistair Smith

At the end of 2015, we asked leading theatre figures about their hopes and fears for 2016. Nobody foresaw our country’s vote

SOURCE: The Stage Registration at 05:00AM
Thursday, November 10, 2016

The Editor’s View: Don’t be closed to captioning possibilities by Alistair Smith

You might not be aware, but next week is Captioning Awareness Week. This event is in its second year and is run

SOURCE: The Stage Registration at 05:00AM
Thursday, November 3, 2016

The Editor’s View: Arts must stop dismissing other points of view by Alistair Smith

Ed Vaizey’s speech at the Royal Society of Arts pulled few punches. It is very insightful, well worth watching in full via

SOURCE: The Stage Registration at 06:00AM
Tuesday, October 25, 2016

The Editor’s View: Where next for Shakespeare’s Globe? by Alistair Smith

Where next for Shakespeare’s Globe? The Bankside venue has been one of British theatre’s great success stories, but today faces a seriously

SOURCE: The Stage Registration at 10:49AM
Thursday, October 20, 2016

The Editor’s View: It’s time to tackle theatre’s unknowns by Alistair Smith

English theatre is in a pretty healthy state. That’s the overriding theme to come out of the Arts Council’s report into the

SOURCE: The Stage Registration at 05:00AM
Thursday, October 13, 2016

The Editor’s View: New technology is an old fear by Alistair Smith

Look at copies of The Stage from the 1940s and 1950s and you don’t have to search hard for evidence of a widespread

SOURCE: The Stage Registration at 05:00AM
Tuesday, October 11, 2016

Rufus Norris: ‘I don’t know anybody in my field who isn’t their own harshest critic’ by Alistair Smith

Sitting in the National Theatre foyer one Monday afternoon almost precisely three years ago, you might have been aware of a strange

SOURCE: The Stage Registration at 07:30AM
Thursday, October 6, 2016

The Editor’s View: Attitudes must change for parents to thrive by Alistair Smith

This week’s welcome news that a group of the UK’s leading theatres will work with Parents in the Performing Arts to investigate

SOURCE: The Stage Registration at 05:00AM
Thursday, September 29, 2016

The Editor’s View: Honesty is best policy on ticket prices by Alistair Smith

West End ticket prices are a thorny subject. Part of the reason for this is that there’s not a lot of clear data

SOURCE: The Stage Registration at 05:00AM
Thursday, September 22, 2016

The Editor’s View: Let’s applaud stars who tour beyond London by Alistair Smith

Earlier this year I was singing the praises of Ian McKellen and Patrick Stewart for taking their production of No Man’s Land

SOURCE: The Stage Registration at 05:00AM
Thursday, September 8, 2016

The Editor’s View: Should theatre take better care of its investors? by Alistair Smith

Theatre is not the most transparent of industries, and commercial theatre investment is one of its murkier areas. A certain mystique has

SOURCE: The Stage Registration at 05:00AM
Thursday, September 1, 2016

The Editor’s View: Opera needs to open up to survive by Alistair Smith

“Opera is theatre,” says Graham Vick (p12). But is it? When is opera theatre? When is musical theatre opera? When is musical

SOURCE: The Stage Registration at 05:00AM
Thursday, August 25, 2016

The Editor’s View: Will Night Tube mean shows can start later? by Alistair Smith

With a few exceptions, West End theatres have a standardised curtain time of 7.30pm. Some long shows open earlier, some short shows

SOURCE: The Stage Registration at 05:00AM
Thursday, August 18, 2016

The Editor’s View: Should success in Rio inspire arts funding change? by Alistair Smith

Watching Team GB’s impressive medal haul at the Olympics, I’ve been thinking a lot about arts funding. Bear with me. At Atlanta

SOURCE: The Stage Registration at 05:00AM
Thursday, August 11, 2016

The Editor’s View: We will keep championing theatre criticism by Alistair Smith

Producer, West End theatre owner, comedy awards producer and ex-performer Nica Burns speaks from experience when she says that “proper, erudite” reviews

SOURCE: The Stage Registration at 05:00AM
Thursday, August 4, 2016

The Editor’s View: Global threats pose challenges to West End by Alistair Smith

London mayor Sadiq Khan launched a campaign this week in a bid to shore up tourism and investment into the capital. The

SOURCE: The Stage Registration at 05:00AM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 15, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic