Czech-born British dramatist Tom Stoppard, whose densely intellectual plays may be the most potent augment known for America's need to step up its public education funding, was first noticed on these Atlantic shores in the 1960s for shining a spotlight on two minor Shakespearean characters in ROSENCRANTZ AND GUILDENSTERN ARE DEAD.
SOURCE: BroadwayWorld at 04:33AM on April 25, 2018