It was nearly two years ago when The Public Theater opened the first major New York production penned by the relatively unknown Sarah Burgess. Her tersely scripted and aridly humored DRY POWER delved into the cutthroat world of corporate takeovers, and director Thomas Kail's bracing production matched the playwright's vicious verbal chess match with the same abundance of pop and vibrancy.
SOURCE: BroadwayWorld at 03:07AM on February 22, 2018