Fire and Air by David Kaufman

Though the production has been designed by its director, John Doyle, there is no scenery to speak of, except for a gold framed mirror on the rear wall, another framed mirror angled and dangling above it, and five gold chairs. It all suggests the opulence for which Diaghilev and his Ballets Russes were known. Opulent, too, are the costumes designed by Ann Hould-Ward with everyone clad in black except for Nijinsky who …

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