It’s all well and good to have great seats for Bruce Springsteen and assured seats for Harry Potter and the Cursed Child and Denzel Washington’s Hickey. It’s a privilege, to be sure. Still, I believe most of my colleagues would agree that what really revs our motors is the all-too-rare discovery of a new talent. That’s the case with Ngozi Anyanwu’s The Homecoming Queen, which is havin…
SOURCE: Deadline at 08:25PM on January 25, 2018