Audiences can tell the difference between provocation and exploitation, writes Justin Sherin, while Patrick Kennedy suggests a braver theatre would have gone ahead with the productionThe Royal Court theatre gave me my first job as a playwright. It remains an inspiration to have followed in the footsteps of George Devine, who changed the world in 1956 by demanding "hard-hitting, uncompromising" plays about "the proble…
SOURCE: The Guardian at 03:54PM on December 14, 2017