Hot-off-the-press plays thrust the personal and the political centre stage, while Bob Dylan had a moment' Observer critics' reviews of the year in fullWhat a terrific turnaround year. At the end of 2016, I was struck by how unpolitical the theatre had become. Not any more. In 2017, James Graham displayed the dramatic possibilities of UK politics in quick-fire plays: Ink, Labour of Love and Quiz. Worldwide disasters "…
SOURCE: The Guardian at 02:42AM on December 10, 2017