Tanya Moodie attacks the script with her highlighters, Pétur Jónasson starts at the end of a score and Sarah Lamb gets a good sleep. They explain how to avoid the moment all performers dread " forgetting what comes nextHow do actors learn all those lines? How can dancers reproduce all those steps? These can seem like hackneyed questions so it's refreshing to realise that actors and dancers are fascinated by them …
SOURCE: The Guardian at 08:33AM on December 8, 2017