At some stage, the usual superlatives don't suffice, so you throw your words into a Yahtzee cup and see what shakes out. Which is probably why I can safely say Romeo is not the Only Fruit is a tremendous show, a meta-textual melange, and an inter-textual pavlova. Jean Tong's script is a marvel – a […]
SOURCE: Australian Arts Review at 05:38PM on November 16, 2017