Jermyn Street theatre, LondonHoward Brenton's new adaptation of the Swedish master's tragedy is given a classy staging that strikes the right note of intimate realismWe endlessly revive Strindberg's 90-minute tragedy, presumably because of its very British obsession with class and sex. While I sometimes wish we would look at other plays by the Swedish master such as Creditors, this new adaptation by Howard Brenton (f…
SOURCE: The Guardian at 08:04AM on November 16, 2017