It's always worth reading a notice by the Guardian's theatre critic, even when there's little or no chance of seeing the play being reviewed, writes Robin WendtIn his letter (3 October) about Michael Billington's review of King Lear, Frank Danes asks: "What is the point of reviewing productions we cannot get to see?" For me, a humble provincial living miles from theatreland, there is every point. Virtually every day …
SOURCE: The Guardian at 02:33PM on October 6, 2017