Open Air theatre, Regent's Park, LondonThis fierce, unpatronising Anya Reiss adaptation of Dickens' criminal caper is full of invention, but an overcomplicated plot spirals into confusionWe are at a workhouse in 19th-century England. A giant, metal cargo crate sits on a stage, surrounded by shallow graves and tiny, white crosses. Grubby workers, dressed in 50 shades of black, are dancing in a mechanical daze. From th…
SOURCE: The Guardian at 03:06AM on July 27, 2017