Olivier, LondonAnne-Marie Duff shines in a rich, strange and often baffling drama that shows the privatisation of land as a pivotal moment in our nation's history'We are not here for reasons of dry historical accuracy," claims the female protagonist of DC Moore's new play. You can say that again. Although Moore sets the action in 1809 and deals with the annexation of common land, his weird, wild play is a lament for …
SOURCE: The Guardian at 08:54AM on June 7, 2017