The Mikado review - Sasha Regan's all-male operetta formula hits a reef
Familiar company faces can't quite compensate for an odd choice of settingMen playing boys playing girls, women and men, all female parts convincingly falsettoed and high musical standards as backbone: Sasha Regan's single-sex Gilbert and Sullivan has worked a special magic on Iolanthe and The Pirates of Penzance, HMS Pinafore and now The Mikado, not so much. Energetic song and dance are still in evidence.
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