"The Profane" Seeks The Moral High Ground by Jan Simpson

Playwrights Horizons hasn't made a big deal of it but over the past year, the company seems to have gone out of its way to tell stories about people whose lives rarely get shown onstage and to try to sidestep stereotypes that tend to get used when telling them. Last spring, Danai Gurira's Familiar looked at Zimbabwean immigrants adjusting to an upper-middle class life in the U.S.  In the fall, Julia Cho's Auberg…

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