This March, the Adelaide Festival has been both signal and signally needed. 2016 was an awful year, and 2017 isn't looking much better. Man's inhumanity to man proceeds apace, truth is under siege, and treasurers across the world are using their grandmothers' false teeth for pie crimpers to make budget savings. Against this louring and […]
SOURCE: Australian Arts Review at 08:08PM on March 24, 2017