Royal Court, LondonCaryl Churchill's magnificent new play unleashes an intricate, elliptical, acutely female view of the apocalypseSo which is the best moment in Caryl Churchill's sizzling new play? Is it when Linda Bassett steps out of a cosy, brightly lit back garden and becomes Cassandra, sketching one of the horrors she sees the world bringing on itself? Famine will break out when 80% of food is "diverted to TV p…
SOURCE: The Guardian at 09:04AM on December 26, 2016