Home, ManchesterThe melodrama is kept at bay in Polly Findlay's fine production of David Watson's new versionHere is a measure of what an actor Niamh Cusack is, how viscerally, totally she can remake a part: nine years ago in a stripped-down adaptation of Henrik Ibsen's Ghosts at the Gate, she played the part of the mother of a syphilitic boy as if her secrets were a physical impediment, dragging her down as she move…
SOURCE: The Guardian at 03:12AM on December 4, 2016