Natasha, Pierre and The Great Comet of 1812 review: Broadway welcomes Josh Groban and immersive theater
An opera with an unwieldy title based on Tolstoy's War and Peace seemed an unlikely crowd-pleaser, but I was thrilled when I saw it Off-Broadway, first at Ars Nova in 2012, and again in a circus tent in 2013. When they announced a Broadway run, however, I wondered how they could possibly pull it off. […] The post Natasha, Pierre and The Great Comet of 1812 review: Broadway welcomes Josh Groban and immersive the…
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