I am surprised by the Globe's decision to part ways with its artistic director. Chief executive Neil Constable praises Emma Rice for her "mould-breaking" productions but explains that "The Globe was reconstructed as a radical experiment to explore the conditions within which Shakespeare and his contemporaries worked" (Exit stage left, pursued by bearish critics, 26 October). What's radical about that? I acknowledge a…
SOURCE: The Guardian at 02:04PM on October 26, 2016