The tensest, most dramatic moments in director Anne Kauffman's premiere production of Adam Bock's A Life occur whenever designer Laura Jellinek's large unit set slowly rotates horizontally, like a rotisserie, to change locations. The loud extended creaking that accompanies every change sounds like something is about to snap and make the whole thing collapse.
SOURCE: BroadwayWorld at 01:19PM on October 25, 2016