Lyttelton, LondonDavid Hare's adaptation of a Georges Simenon novel is a tense affair featuring a mesmeric Elizabeth DebickiHow do you put on stage someone who is bored with being themselves? Without boring the audience. How do you suggest a dissolving identity in the fleshiest of forms, the theatre? This is the dilemma faced in The Red Barn.David Hare's adaptation of Georges Simenon's novel La Main pulls the first-p…
SOURCE: The Guardian at 03:56AM on October 23, 2016