Tron, GlasgowThe detached acting in Rob Drummond's horror-flecked melodrama render it less than the sum of its partsSet in a present that could be any time, on a remote Scottish farm that could as easily be in the American midwest, Rob Drummond's new play feels like a 19th-century melodrama filtered through a noir thriller sensibility, spiced with a dash of Hammer horror. The drama involves: a family shattered by a p…
SOURCE: The Guardian at 03:56AM on October 23, 2016