King's theatre, EdinburghJames Thiérrée's performance piece contains a glorious coup de théâtre but exists in a closed world without dramaWhat The Toad Knew and how or why he knew it is anybody's guess. He (or is that she?) is a glorious coup de théâtre about which no more will be said here, out of respect for this surprising and glorious effect. Why the performers do what they do through the course of this…
SOURCE: The Guardian at 03:39AM on August 28, 2016