Chicago Theater Review: THE GOOD PERSON OF SZECHWAN (Cor Theatre)
BRECHT FORCES YIN ONTO YANG A strong, often infuriating, truth about the protest plays of Bertolt Brecht is how much the socialist playwright pushes the plot beyond the ending: He ends up accusing the audience of failing to finish the tale. It's not really over, he cajoles or threatens, until we furnish the future. How […]
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