Edinburgh Fringe Review: Krapp 39, Pleasance Courtyard by Phoebe Graham

It's a bold move. Taking direct inspiration from the most iconic Irish playwright of the twentieth century, Samuel Beckett, actor and writer Michael Laurence has undoubtedly set a high bar. But rather than attempting this high-jump, Laurence grabs hold of his own expectation and moulds it around himself, avoiding a copy-cat take of Beckett's subtle philosophies.... Read more → The post Edinburgh Fringe Rev…

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