Broadway ticketbuyers expect seating charts to look a certain way: The stage is here; the audience is there. So when tickets went on sale for the $14 million Broadway production of “Natasha, Pierre and the Great Comet of 1812,” it elicited some bewilderment. Because what confronted ticketbuyers was a proscenium stage radically altered into a looping, multi-level performance space... Read more…
SOURCE: Variety at 06:46AM on July 22, 2016