Royal Exchange, ManchesterHattie Naylor's beautifully deft adaptation springs Sarah Waters's bestseller on to the stage in a pitch-perfect productionWhat a haunting, unusual thing Hattie Naylor has made in her adaptation of The Night Watch. Sarah Waters's 2006 novel is so confident, large-scale and apparently unselfconscious that it is easy to forget how subtle it is. And how delicately layered. It winds backwards in…
SOURCE: The Guardian at 03:46AM on May 29, 2016