It can be a challenge, making the contemporary case for Eugene O’Neill’s Long Day’s Journey Into Night. It’s as long as its title warns, for one thing. It’s repetitious and maudlin and dated; attempts to update it only make it a greater slog. I’d seen three of the five previous Broadway productions of the play; each had its attributes, none adding up an entirely successful evening,…
SOURCE: Deadline at 07:46PM on April 27, 2016