Dorfman, LondonIt may be too gruesome much for some, but Sarah Kane's 1998 horror show feels depleted in Katie Mitchell's protracted revivalTheatres love people walking out. Sometimes it seems they would prefer them to flounce off than go in and watch. It is no surprise that the National has been tweeting, writing, broadcasting the news that some spectators are leaving Sarah Kane's Cleansed in disgust, while others h…
SOURCE: The Guardian at 03:38AM on February 28, 2016