Sydney Opera House, Sydney festivalMulti-faceted, fast moving and dark, Marrugeku's latest work gives an Indigenous perspective to climate changeCut the Sky opens with a scene that would not be out of place in Warwick Thornton's Samson and Delilah. There's a makeshift camp of flimsy dome tents, characters wearing scraps of clothing made out of stripy hessian bags and grimey high-vis vests. Related: Samson and Delilah…
SOURCE: The Guardian at 01:25AM on January 15, 2016