The threshold has fallen so low that performers who live every day with fear of failure are being booed by audiences for no good reasonIn the 1980s, I wrote an article in the Guardian that began: "What's wrong with booing at the opera, for goodness sake?" My view back then was that booing was unpleasant but at least it showed people cared. Why should British audiences feel they had to sit meekly and applaud all the t…
SOURCE: The Guardian at 08:11AM on January 3, 2016