Chicago Theater Review: BARITONES UNBOUND (Royal George Theatre)
A VOICE GETS ITS OWN SHOW Despite the name, Baritones UnBound is no comedy about musical kinkiness. A kind of theatrical rebuttal to The Three Tenors (and its many spinoffs), it offers equal time and retributive justice to the middle voice in the repertory of male vocalists. The baritone register, occupying a strategic place between the heroic and heavenly […]
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