Aaron Copeland's The Tender Land at In Series (review)
In 1954, The Tender Land at the New York City Opera was a box office flop. American composer Aaron Copland, already famous for his folkloric, cutting-edge ballet scores, Billy the Kid (1938), Rodeo (1942), and Appalachian Spring (1944, for Martha Graham), felt so humiliated, he left town the next day and abandoned opera composing. Although […] The post Aaron Copeland’s The Tender Land at In Series (review…
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