The Crucible, Bristol Old Vic by Mark Kidel

Tom Morris has a strong feel for drama that explores the personal implications of fanaticism: his production of John Adams's powerful opera The Death of Klinghoffer for New York's Met and the ENO, used a language of great simplicity that allowed the work's most disturbing complexities to come through with formidable power. Once again with Arthur Miller's The Crucible, an equally rich text, there is a stripped-down qu…

« Back to BroadwayStars