Hammersmith Apollo, LondonTwo hours of machine-tooled musical parody cover every big chart hit since the early 80sThe artwork for Weird Al Yankovic's album and tour posits the "white and nerdy" musical parodist as the dictator of a fun-based totalitarian state. It's meant to be a daft juxtaposition " but there is, indeed, something of the personality cult about this world-touring show. It's drilled as efficiently as …
SOURCE: The Guardian at 08:39AM on October 5, 2015