Young Vic, LondonThere's no love lost in this watchable but inert adaptation of Marguerite Duras' doomy two-handerWe glimpse them first sitting side by side on a bench with their backs to us, looking through a window at the street. The scene has a touch of an Edward Hopper painting about it, and their backs speak of tension, desire and pain. They are Michel and Anne-Marie, returning almost four years after their marr…
SOURCE: The Guardian at 07:27AM on October 4, 2015